Owned version: The DVD released by Vinegar Syndrome in 2014 as a kick-off to their Peekarama porno-double-feature line
Acquired: From Vinegar Syndrome this past Black Friday after the trailer caught my interest.
Seen before?: No.
The title and general knowledge of the evolution of the genre around this point foster expectations that this, like its discmate Winter Heat, will be a grimy, soul-killing wallow in rape-fantasy porn. The opening moments, where two downtrodden dudes (mustachioed Fred and his friend Will) looking to score decide on a whim to spirit away Jackie, a fashionable young woman in a tight chartreuse dress they spy walking out of a local grocery, seem ready to fulfill that promise.
That goes out the window almost immediately afterward during the abduction promised in the title, when the playgirl in question gets a good kick to the nuts in on Fred and he staggers around uselessly while Will awkwardly drags the woman into the back of their car. It's that kind of movie, the kind that would be queasy were its male protagonists not hapless dorks with grievous overestimations of their station and permanent "KICK ME" signs pasted on their backs by life and fate. There's nothing at all threatening about these jamooks; Will, the dopier of the two, turns getting the boots off the unconscious woman into an IKEA-level exercise in mechanical frustration, while Fred gets flustered instantly and leaves the room when their prisoner starts weeping ("What the hell ya cryin' for... cryin' turns me off!"). They can't even get on the same wavelength when trying to stretch this situation out into a harebrained kidnapping scheme - Fred gives instructions to Will about what to say, ignoring his friend's repeated cries that he hasn't a dime to make the call.
So, they're total buffoons. Laying this groundwork, the film then presents its central joke: in avoiding one rape fantasy, it curiously flips inside out into another, one where two stereotypically-cocksure '70s males find themselves at the mercy of their literally insatiable object of their desire. (To put a button on it, Fred gets to yell, "She raped me!" after he's tied to a coffee table by Jackie.) It's essentially the only joke the film has, as it repeats multiple variations on Jackie fixing breakfast for the two and telling them, above their exhausted protests, to be in the bedroom in ten minutes, but it unexpectedly gets a fair amount of mileage out of that joke. (Best variation: the double-team that runs at double speed and is overlayed with a piano-centric silent-movie-style score - call it slapstick-and-tickle.) It is, in fact, when the film wholly uses up its two hapless cockswains that it loses its bearings; not having its central duo to beat into the ground, it then settles for a brief bit of lesbian incest and an indulging of the Virile Black Man stereotype that leads first to a punchline that can be seen from space, then a mild gay-panic joke as a topper. (Though it is interesting and appropriate, in light of the film's constructions of its sexual power games, that the Virile Black Man gets the film's only popshot.)
Part of me wonders if this was always intended as a comedy or if circumstances of production steered it in that direction - the industry was grinding them out like sausages at this point, and there's a certain exhaustion visible in all the semis and softies on display during the fuck scenes. The other part of me is like, who cares, I laughed. The actors playing Fred and Will have a solid dumb-schmuck chemistry, Darby Lloyd Raines is gorgeous and convincingly energetic and I can't help but respect a film that, intentionally or not, turns its male actors' inability to keep it up into genuine text.
